Showing posts with label Sarah Jarosz. Show all posts
Showing posts with label Sarah Jarosz. Show all posts

Wednesday, July 6, 2016

Random Notes from a Crank

Amid all the gnashing of teeth because of Clinton's emails, the whole deal reminds me of the millions of emails that were conveniently deleted during Generalissimo Dubya's regime: "The George W. Bush Email Scandal the Media Has Conveniently Forgotten" from Salon & "Bush Advisors' Approach on Email Draws Fire" from the New York Times

Which leads me to this satirical take about why certain people dislike/don't trust/hate Hillary Clinton: "All the Terrible Things Hillary Clinton Has Done - In One Big List." 


Regardless, both cases make me think about how the justice system is rigged for wealthy individuals with connections. 

Nontheless, I'd rather vote for the Libertarian presidential candidate Gary Johnson than Trump. 

My favorite candidate is Jill Stein, Green Party presidential candidate, but I'm still voting for Hillary. 

I'm behind on getting some new music. The Avett Brothers and Sarah Jarosz have new albums, and I'm intrigued by the new album by Sarah Watkins. 

This article will make you think differently about the hot dog. But why do the good ones taste so damn good? 

I've only read two of of Philip K. Dick's novels, The Man in the High Castle and Do Androids Dream of Electric Sheep?, both of which I enjoyed immensely. I had heard he had a troubled background as many artists do, and a new book uncovers his troublesome life. "Philip K. Dick's Divine, Amphetamine-Fueled Madness" sheds some light on the author. It's adapted from the writer's full-length book. 

This morning I was looking at a piece of art from another troubled artist, Jackson Pollock

Friday, December 13, 2013

Top Twentysomething Albums of 2013

It's that time of the year again.

As I did in 20102011, and 2012, I'm providing my top twenty albums that came out this year. After the top twenty, there's a list of albums that deserve honorable mention. 

If there are other albums that you think should be in the mix, please let me know in the comments section. 

1. Jason Isbell, Southeastern



If you know me or follow my Music Friday posts regularly, this selection is no surprise. Isbell garnered all kinds of publicity this year for getting sober and producing probably his best record to date. Compared to his other albums, Southeastern is a more low-key affair. This opus represents some of his best songwriting to date. I'd argue that "Elephant," a tune that presents a husband's thoughts about his wife is dying from cancer, is the song of the year. The song should be studied in poetry classes. 

Here's a stanza from "Elephant": "But I'd sing her class country songs, and she'd get high and sing along./ She don't have a voice to sing with now./ We burn these joints in effigy and cry about what we used to be,/ And try to ignore the elephant somehow, somehow." In a darkly humorous moment in "Different Days," the persona reflects on a troubled young lady before him: "Ten years ago I might have seen you dancing in a different light/ and offered up my help in different ways,/ but those were different days." In "Songs That She Sang in Shower," he works in references to Monty Python's "Bring Out Your Dead" and Pink Floyd's "Wish You Were Here." And finally in "Relatively Easy," Isbell reminds us, "You should know, compared to people on a global scale,/ Our kind has had it relatively easy,/ And here with you there's always something to look forward to./ My angry heart beats relatively easy." There are good reasons why American Songwriter magazine ranked Southeastern as the number one album of 2013.   

Favorite songs: "Stockholm," "Different Days," "Songs That She Sang in the Shower," "Relatively Easy," and "Elephant." 

2. Pearl Jam, Lightning Bolt



Maybe I'm starved for a new Pearl Jam album or just hankering for a strong offering of hard rock, but Lightning Bolt gets me going. The boys from Seattle provide an excellent mix of uptempo, mid-paced, and slower tunes. "Future Days" is probably the most romantic Pearl Jam song I know of. It took me by surprise. Many of the other songs have sociopolitical messages if you're listening. Favorite songs: "Swallowed Whole," "Future Days," "Infallible," "Getaway," and "Mind Your Manners." 

3. Caitlin Rose, The Stand-In



I was fond of Ms. Rose's previous release, Own Side Now, but she created a more complete album with this one. Just outstanding. It's classified as country, I guess. She certainly has country influences. Her mom writes songs for Taylor Swift, if you consider Taylor Swift "country." From inspecting married obsolescence in "Pink Champagne" to getting vampy in "Old Numbers," there are solid tunes throughout. Favorite songs: "I Was Cruel," "Waitin'," "Only a Clown," "Everywhere I Go," and "Menagerie." 

4. Blitzen Trapper, VII



One way to describe Blitzen Trapper's sound is funky alt-country. I really like it. I was a big fan of the band's previous release, American Goldwing, which for whatever reasons got panned by some critics. VII may overtake that album as my favorite Blitzen Trapper release. Favorite songs: "Shine On," "Thirsty Man," "Neck Tatts, Cadillacs," and "Drive On Up." 

5. Eels, Wonderful, Glorious



I've been of fan of Mr. Everett's work for some time now after discovering the concept-album trilogy of Hombre Lobo, End Times, and Tomorrow Morning. Wonderful, Glorious provides a buffet of earwormish grooves. If you were smart and bought the deluxe CD, you get a bonus disc with extra studio tunes (three of the four are excellent) and live performances of past material. Favorite songs: "Stick Together," "Kind of Fuzzy," "Peach Blossom," "Bombs Away," and "Open My Present." 

6. Anders Osborne, Peace



This is the only album I have by this fine gentleman. Yet. I'll be acquiring more sometime. He's a hell of a guitar player. For those of us in the middle-aged crowd, his song "47" will strike a chord. In contrast to the darkly humorous album cover, the lyrics are reflective and smart. Favorite songs: "My Son," "Peace," "47," "Five Bullets," and "Windows." 

7. J. Roddy Walston & The Business, Essential Tremors



I discovered this band through one of the finer music blogs out there, HearYa. This band has all kinds of energy. It's mainly guitar-based rock that might make you get up to wiggle your ass or bang your head a bit. As the opening song says, "All hail, heavy bells." Favorite songs: "Tear Jerk," "Sweat Shock," "Hard Times," and "Heavy Bells." 

8. Sarah Jarosz, Build Me Up From Bones



Well, doesn't Ms. Jarosz look all sassy and determined on that album cover? She's one of the finest musicians out there right now. Her previous releases were strongly bluegrass, but this one ventures in some interesting directions while keeping to the core. If you do not know about this artist, you need to. Favorite songs: "1,000 Things," "Fuel the Fire,"  "The Book of Right-On," and "Over the Edge." 

9. Tedeschi Trucks Band, Made Up Mind



Excellent guitar work and a lead singer with soulful, bluesy voice complemented by eleven other band members--it's that simple. Well, I suspect it's not simple with thirteen people in a band, but it's a damn good album. Favorite songs: "The Storm," "Whiskey Legs," "Misunderstood," and "Made Up Mind." 

10. JJ Grey & Mofro, This River



Mr. Grey, who was recently featured in Oxford American magazine, keeps churning out solid albums, and I keep buying 'em. His swamp-soul-blues-rock is too hard to resist. One of the shining moments on the album is "The Ballad of Larry Webb." Favorite songs: "Harp and Drums," "Somebody Else," "Standing on the Edge," and "Your Lady, She's Shady." 

11. Queens of the Stone Age, Like Clockwork



Of the Queens... albums I have (only have three), I like this one the best. "If I Had a Tail" is one of the better songs of the year. "It's how you look, not how you feel. A city of glass with no heart." Favorite songs: "My God Is the Sun," "Smooth Sailing," "I Appear Missing," and "Keep Your Eyes Pealed." 

12. North Mississippi All Stars, World Boogie Is Coming



As I think I noted when the album came out and I featured a song from the album and an interview with the band, this is one of my favorite NMA albums, one that basically gets back to the roots of what they're doing and why they're doing it. The album reformulates some older material, but it's mainly new songs. Favorite songs: "Boogie," "Shimmy," "Goin' to Brownsville," and "Goat Meat." 

13. Ha Ha Tonka, Lessons




These fellows from southern Missouri put out another fine album. I think it's the band's fourth. The lead singer continued his literary bent with "Colorful Kids." He's clear he's read his fair share of Mark Twain based on those lyrics and from "The Humorist," my favorite song on Death of a Decade. Overall, if you liked the band's previous work, you'll also like this. Favorite songs: "The Past Has Arms," "Rewrite Our Lives," "Lessons," and "Staring At the End of Our Lives." 

14. Deer Tick, Negativity



First off, that's a great album cover. More importantly, it's an important follow-up album to Divine Providence, which was artistically scattered and seemed as if they recorded it while under the influence." Negativity is a cohesive and pleasing album. Favorite songs: "The Dream's in the Ditch," "Pot of Gold," "Mr. Sticks," and "The Rock." 

15. Nora Jane Struthers & The Party Line, Carnival



Ms. Struthers is a new artist to me, and I'm glad I found her. Her work is straightforward, old-timey bluegrass. Favorite songs: "Party Line," "Listen With Your Heart," "Sourwood Tree," and "Jack of Diamonds." 

16. Amanda Shires, Down Fell the Doves



I was a huge fan of her last album. In fact, it was my top album of 2011. Down Fell the Doves is a good one, but I'm just not as smitten with it as I was with Carrying Lightning. Solid songs all around this disc. Favorite songs: "Wasted and Rollin'," "A Song for Leonard Cohen," "Bulletproof," "Devastate," and "Like a Bird." 

17. Mount Moriah, Miracle Temple



Mount Moriah produces some great music. I still haven't figured out who the lead singer's voice reminds me of. I can't place it for whatever reason. This band reminds me of a number of alternative bands that came out in the 90s that had female lead singers. And that's a compliment. Favorite songs: "Those Girls," "Rosemary," "Eureka Springs," and "Bright Light."

18. Dawes, Stories Don't End



2013 brought us the third album from Dawes. This band helps me when I need a "adult contemporary" fix of sorts. Or are they considered "alternative"? Who the hell knows. Anyway, it's a strong offering, one that possibly equals the quality of Nothing Is Wrong. Favorite songs: "From the Right Angle," "Someone Will," "Just Beneath the Surface," and "From a Window Seat." 

19. The Black Angels, Indigo Meadow



The neo-psychadelic outfit went less experimental with this offering. If you want to get all groovy, this is your album. Favorite songs: "War on Holiday," "I Hear Colors (Chromaeasthesia)," "Evil Things," and "Holland." 

20. Robert Randolph and the Family Band, Lickety Split





Robert Randolph and his band keep on doing their thing--solid ballads and good-time, uptempo tunes. He hits on an important topic in "Welcome Home." And the album has two songs where there's a collaboration with Carlos Santana and one song with Trombone Shorty. Favorite songs: "Welcome Home," "Take the Party" with Trombone Shorty, "Brand New Wayo" with Carlos Santana, and "Amped Up." 


Honorable Mentions

Avett Brothers, Magpie and the Dandelion




Ben Harper with Charlie Musselwhite, Get Up!





James Cotton, Cotton Mouth Man



Josh Ritter, The Beast in Its Tracks



Pokey LaFarge, self-titled





Son Volt, Honky Tonk




Southern Hospitality, Easy Livin'



Trombone Shorty, Say That to Say This


Monday, December 12, 2011

Top Ten/Twenty Albums of 2011

It's that time of the year. 

Like I did for 2010, I'm providing my take on this year's best albums.

Although I have the top ten ranked, all are solid albums, and those rankings could easily move according to the shifting scale of my mood at the moment when I want to listen to some tunes. The second ten are simply placed in the "honorable mention" category.

If you enjoyed some albums that came out in 2011 that aren't included in this post, feel free to relate ones you think are worth mentioning.

So here goes the Top Ten/Twenty albums of 2011:

1. Amanda Shires, Carrying Lightning


For me, 2011 was the year I discovered Amanda Shires. 

Lawd, I've seen the light. 

What a talented musician, an artist who lists Octavio Paz, Marianne Moore, Theodore Roethke, and Sylvia Plath as her favorite writers on her FB page. 

From start to finish, this album is excellent. From a song about wanting nooky in "Shake the Walls" to contemplation of suicide in "When You Need a Train, It Never Comes," from lyrics of awakening and reflection in "Ghost Bird" to the straightforward nature of "Detroit or Buffalo," this opus features beautiful fiddle playing, solid guitar, and haunting lyrics. Favorite songs: "Ghost Bird," "Shake the Walls," "Sloe Gin," and "Swimmer, Dreams Don't Keep." 

2. Jason Isbell & the 400 Unit, Here We Rest




No surprise here.

At first listen to the new album, I instantly liked a number of the songs ("Alabama Pines," "Go It Alone," "Codeine," "Stopping By," "Never Could Believe," and "Tour of Duty"), but the others took some time to grow on me. To be honest, when I first heard the cover of Candi Stanton's "Heart on a String," I thought, "Why is hell is Isbell trying to sound like John Mayer?" But I've come to like the song since it features a Muscle Shoals R&B vibe. Here We Rest is not as much of a rock-oriented album as the band's previous effort, which is fine and I like it, but I tend to enjoy Isbell's songs that have a bit more grit to 'em, whether it's his solo stuff or DBT tunes. Regardless, the guy is a storyteller. "Stopping By" delves into the psychological effects of not having a dad in one's life, and I think many folks would appreciate "We've Met." Favorite songs: "Alabama Pines," "Go It Alone," "Never Could Believe," and "Stopping By."

3. Glossary, Long Live All Of Us


It's hard to do better than Glossary's fine album, Feral Fire, but Long Live All Of Us approaches that greatness. The recent release from the guitar-oriented, no nonsense rock-n-roll band hailing from Murfreesboro, Tennessee is different from previous albums, but I like it a lot. In the mini-documentary that I linked a short while back about the album, the lead singer and guitarist of the band describes the album as one that is positive and does not ape the cynicism and negativity that surrounds us. That's true. Let me put it this way: if I'm in a grumpy mood, listening to this album makes me feel better. Favorite songs: "A Shoulder Left To Cry On," "Trouble Won't Always Last," "Everything Comes Back," and "When We Were Wicked."

4. The Bottle Rockets, Not So Loud: An Acoustic Evening


These guys have been around a long time, yet I don't see 'em getting a ton of critical acclaim. They should. If there's ever a band that writes songs about the working (or not working so much anymore) class, this band is it. And they do it well. This album made me appreciate their studio stuff even more and got me wanting to see them live. The standards are there--"Gravity Falls," "Smokin' 100s Alone," "Rural Route," etc.--but the song that really got me is the one that closes the album, "Mom & Dad," which is obviously about the death of the mom and dad of the lead singer that he briefly discusses in the intro of "I Don't Want to Go Home." For those of us with parents getting later on in age, it's a tear-jerker. Favorite songs: "Mom & Dad," "Rural Route," and "1000 Dollar Car."

5. Dawes, Nothing Is Wrong


This is an outstanding follow-up to the band's first album, North Hills. Over a couple of weeks last year, this band just kind of clicked for me, and there for a while I was listening to North Hills all the time. On Nothing Is Wrong, the lyrics are stronger, the arrangements are more diverse, and what the critics call the "Laurel Canyon sound" permeates the work like the first album. This band reminds of a baseball pitcher when I get to thinking about it--a starting pitcher who has a really solid rookie season, and then he establishes himself as a number one or number two starter for a team quickly hereafter. Dawes is no Clayton Kershaw yet, but they could be. Favorite Songs: "A Little Bit of Everything," "Fire Away," "If I Wanted Someone," and "So Well."

6. American Gun, Therapy




A strong guitar-oriented sound, interesting lyrics, and no bullshit rock-n-roll, that's how I would describe these talented fellows. If you don't like American Gun, you're un-American. Not really, but I thought I'd write something stupid like that. All the songs are good, but ... Favorite Songs: "1500 Jessicas," "Lie to Me," "Procrastination," "Therapy," and "No More Friends."

7. Sarah Jarosz, Follow Me Down


If you ever want to motivate yourself to get it together, consider the case of Sarah Jarosz. She's a college student (New England Conservatory of Music) and an accomplished musician on the mandolin, fiddle, and guitar. She's a great singer too. And, oh yeah, this is her second album, and she's already played on Austin City Limits. You're lazy, aren't you? Get back to work, clown. Favorite songs: "Old Smitty," "Run Away," "Here Nor There," and cover of Dylan's "Ring Them Bells."

8. Middle Brother, Middle Brother



So let's get this straight. The band Middle Brother is a "supergroup" of lead singers of three bands--John McCauley of Deer Tick, Taylor Goldsmith of Dawes, and Matthew Vasquez of Delta Spirit--that got together and produced their own record with the help of a number of outstanding musicians. Sounds like an elaborate marketing ploy hatched in a tavern, doesn't it? But it's a damn successful musical project inspired by booze if that's the case. From McCauley's lyrics about daydreaming while hungover in "Daydreaming" to Goldsmith's plaintive missive of "Thanks for Nothing," from the gritty, slow nature of "Theater" to the tag-team nature of the final song "Million Dollar Bill," it's a fun ride. Favorite songs: "Daydreaming," "Blue Eyes," "Wilderness," and "Me, Me, Me."

9. Centro-matic, Candidate Waltz


Will Johnson and the fellas got back at it again with another fine release this year. For me, their sound is addictive -- hypnotic at times. The lyrics venture often toward the willfully obtuse, but in that sense, they remind me of R.E.M., and that's high compliment coming from this guy. The album has one song, "All the Talkers," that is a satirical description of club-goers, which you shouldn't miss. Favorite songs: "All the Talkers," "Mercedes Blast," "If They Talk You Down," and "Against the Line."

10. Rod Picott, Welding Burns


I originally recognized Picott as "that guy who's always playing guitar" with Amanda Shires. In fact, they did a collaborative album a few years back that I need to investigate. I finally got nudged into buying Welding Burns because of emmylunatic's comment on the July 15th Music Friday post: "It's worth some effort to see Amanda live, many shows you get a great twofer as she's joined by Rod Picott who has a great album out now - Welding Burns."

Huzzah unto you, emmylunatic.

While I provided love to The Bottle Rockets about singing for the working person out there in America, this Rod Picott fella is doing the same. The persona of "Sheetrock Hanger" contemplates that if he doesn't go to heaven, he'll be hanging sheetrock in Hell. "Rust Belt Fields" provides a perspective on the effects of globalization. "410" is a rollicking tune about starting trouble. Heck, the whole album is solid, and Shires plays fiddle. Buy it. You can thank me later by buying me a beer. Favorite Songs: "Welding Burns," "Rust Belt Fields," "Your Father's Tattoo," and "Sheetrock Hanger."


Honorable Mentions: The Next Ten

R.E.M., Collapse Into Now


It had to happen sometime. That little band that did from Athens, Georgia called it quits this year, but not without offering a fine coda to their discography. Favorite songs: "All The Best," "UBerlin," "Walk It Back," and "That Someone Is You."

Blitzen Trapper, American Goldwing


Blitzen Trapper, one of the darlings of the alternative music press, put out a fine album this year. When I first got introduced to this band and started listening to them, I remarked to the person who recommended them that when I listen to their stuff, I feel like I need to be eating granola and burning incense (and I don't mind both, by the way). That comment brought a decent laugh.

But this album is different. I think it's the band's best because the guitars have a harder edge to them, and all of the songs seem to hang together effectively as an album. The record has coherence. American Goldwing has kept me much more interested than their other releases. Favorite songs: "Street Fighting Sun," "Taking It Easy Too Long," "American Goldwing," and "Might Find It Cheap."

Fleet Foxes, Helplessness Blues


Speaking of granola and incense, I offer the highly praised release by the Fleet Foxes. Lush harmonies and intricate arrangements take listeners for a reflective ride. The comparisons to Simon & Garfunkel will always be there, but I find them to have more of a "wall of sound" style. Favorite songs: "Helplessness Blues," "The Shrine/An Argument," and "Montezuma."

Ha Ha Tonka, Death of a Decade
I wonder how much of an uptick of album sales this quartet from West Plains, Missouri got from their appearance at the end of the Ozarks episode of Anthony Bourdain's No Reservations. Of the band's three albums, this is my favorite. The mandolin is a prominent on the record, and like their previous effort, Novel Sounds from the Noveau South that ends with "Thoreau in the Woods," this album closes with a song I'm pretty sure is about Mark Twain: "The Humorist." Favorite songs: "The Humorist," "Westward Bound," "Lonely Fortunes," and "Hide It Well."

The Decemberists, The King Is Dead


I originally checked out The Decemberists because a fellow recommended The Hazards of Love to me since he knows I like concept albums. That album is okay, but The King Is Dead is right in my wheelhouse--more straightforward, not trying to do the rock opera thang. Favorite songs: "This Is Why We Fight," "Down By the Water," and "Don't Carry It All."

Ben Harper, Give Till It's Gone
So what happened to the Relentless7, the new backing players that were on his previous album after the Innocent Criminals got the boot? This question I have no answer for, and it really doesn't matter all that much to me. The previous album has a song, "Shimmer and Shine," that my kids certainly enjoy. When I play it in my car, my four-year old son likes playing air drums to it while my eight-year old daughter strums air guitar. There are songs of that quality on this effort from Harper like "Clearly Severely," "Spilling Faith," and "Dirty Little Lover."

Alison Krauss & Union Station, Paper Airplane


Another solid outing by Krauss and the boys. While the new Gillian Welch album garnered a great deal of noise this year (and it's a good album), it's hard to beat these folks. Favorite songs: "Dust Bowl Children," "Miles to Go," "My Opening Farewell," and "On the Outside Looking In."

Trombone Shorty, For True


This a solid sophomore release from a guy who I'm told is acting a bit on HBO's Treme. Since I haven't watched that series, I had no idea. Favorite songs: "The Craziest Thing," "For True," "Dumaine St.," and "Big 12."

A. A. Bondy, Believers


In Bondy's third album, he keeps up the atmospheric alt rock. If you go by how iTunes classifies this guy's music, one album is classified as "folk," another is classified as "blues," and this one is classified as "rock." And I don't see any major differences among them. Regardless, it's a good record. Favorite songs: "Rte. 28/Believers,""123 Dupay Street," "Surfer King," and "The Heart is Willing."

Chris Thile & Michael Daves, Sleep With One Eye Open


I didn't know anything of Michael Daves until I bought this album, but I know Chris Thile since I'm a fan of the Punch Brothers. As you can see by the cover, one guy plays mandolin. The other guy plays guitar. It's bluegrass. Favorite songs: "Loneliness and Desperation," "If I Should Wander Back Tonight," and "My Little Girl in Tennessee."

Friday, June 17, 2011

Music Friday: "Broussard's Lament," "Tell Me True," & "Come On Up to the House"

Sarah Jarosz was featured on an episode of PBS's Austin City Limits based on the strength of her first album, Song Up in Her Head. Her second album, Follow Me Down, came out this summer.

Today I'm offering a trio of videos from that performance in Austin.

First up is "Broussard's Lament."



Then you can enjoy "Tell Me True."



And finally, the trio is complete with a Tom Waits cover.



If you're thinking, "She looks young." Well, she is. She's 20 and already has two albums out.

There's a substantial biography on her website if you're interested.